Goodbye Kitty, Hello War

Author : Anne McKnight and Sharon Hayashi
Last Update : 2006-01-06

We introduce photos, graphics, sound recordings, and other "fieldwork" and artifacts that document a series of "sound demos" taking place in several major Japanese cities in 2003-4. The impulse for the sound demos—including noise, improv, rave aesthetics, dancing and chanting—was US President George Bush's visit to Tokyo, to seek Prime Minister Koizumi's support and the dispatch of the Japanese Self-Defense Forces to Iraq for "reconstruction" efforts. Japan is forbidden by its 1946 Constitution to deploy military force, against pressure to deepen its role as philanthropist to "developing" countries. The demos connect this issue to everyday issues affecting as they enter the globalized worlds of work and shopping.

Keywords: street protest, consumerism, empire, public space, technology, DIY, multitude
REACT to this project


Images
Drums and saxophones connected to megaphones help create the cacophonic TCDC sound.
TCDC’s ever-changing roster of participants is encouraged to bring their own noisemakers but extra drums and tambourines are always on hand.
TCDC, a self-styled latter-day chindon band, drums up attention for an anti-war demonstration.
Riot police attempt to hem in demonstrators but fail to stifle the anarchic sounds produced by Transistor Connected Drum Collective (TCDC).
Essential elements to put on a sound demonstration (clockwise L to R): rapper, generator, sound system, party people, support, driver and truck, turntable, orchestra, disk jockey and DONATIONS!
NO!!WAR, a collection of interviews, collages, manifestos, and statements from musicians, artists and writers in Japan and around the world, that appeared soon after the invasion of Iraq inviting youth to party and protest the war (http://kawade.co.jp).
Graffiti on ECD’s latest rap album cover, Loss in the Park, reads “society of the spectacle” and “anti-war.”
cddemoflyer
The flag in the upper right re-frames the name of the local baseball team, the “Hanshin Tigers,” to read “Hansen Tigers,” or “Anti-War Tigers.”
Protesters in Kyoto load speakers onto the back of a 4-ton truck in preparation for mobile dj-ing.
From the second issue of AMPO, December 1, 1970. Artwork by Yokô 
Tadanori. Permission Beheiren.
From the first issue of AMPO, November 17, 1969. Artwork by Kuritsu Kiyoshi. Permission Beheiren.
Knock Our Security — Poster image for November 14, 2004 sound demo (back).
Knock Our Security — Poster image for November 14, 2004 sound demo.
15_after_party
14_disclaimer
13_restrictions
12_warmth_and_fuzziness
11_thumbs_up
10_three cheers
08_buddy_system
07_dont_go_off
06_in_the_midst
05_evolution
04_handcuffs
03_sheep
02_police_attend
01_demo_guidelines
Home | Navigating Tips | Project Library
Previous      Next      Random